BEFORE HANDS IN HANDS LIBERS, John Steinbeck’s 1937 Novella Of rats and men First rose in the edge of the author of a dog. Dog to find less teeth in Is transformed into theater adaptation.
A pair of icinerant friends to find work at the village in a large depression, the US South. George is brachly confident and protection on a nervous lennie that has a mental disability that is scored by workers. In Sarah Brigham’s production, Lennie is played by Wiliam young people who have learning defects. There is a softness of his lennie, call George’s name as a striger. Periculously nerve busy hands constantly brush beard or armor while production uses puppets animals pets. His stature of the mirrors: drooping as the sack of barley, in a more fully in a self.
Liam King George has pragmatism and impatience in despair to achieve better life. A field field is thrown whenever thinks a dream. In one scene, and the swings of his legs in a bunk bed, as there are two children dummy together. Every time gold afternoon peeks in the panels behind them.
However, the scenes forward so constantly and accident and there’s a little impact to register when I lost a dream. Brigham is a flat, static direction seated characters in jars or crates for each scene. The action is set within stationary, such as a pen, but there’s no rising temperature and undercurrent the campus-up, tension.
Violence is mannered and overly choreographed up to the weird Conversion point with Curley’s wife when it becomes cold attack. Yellow shimmer is already burning orange as a furnace. And when the village doors are opened for the final scene, you can make the strings, golden backdrop is sheet. The bright and a sunny dream expounded as illusion.