THicyh smoke fills in a situation near-blindness, while the stomach-red ringing of an old industrial building to their core, as the bodies and the vallia. The world’s premiere blackhain and now I know what love is, immersive performance mix choreography and noise, promised to “the invitation to step out of the matter and the numbness in the senses.
Blackhaine’s Tom Heyes The experimental musician, rapper and choreographer – it’s worked with a great dance names including playboi carts – who incorporates a drill, drone, the side of the Japanese chorus-theater form Bforoh. We perform each other here, for creating a piece where there’s no stage, and dancers and audience coexist, unpredictable freely.
The dance ‘movement start exactly static, as well as intense slowly, before some people begin to twitch and retush as sterilized and die. Pummelton Sub-Bass floods in the camera and a citharist in the solar plays sparse melodic lambs: The sounds durutti column vini Reilly reilli collaborating with Drone Titanas Sunn O)). Then the silence falls and disguised more rething, before the more aggressive dance begins – one person runs down and went out, contorting though he’s trying to escape their body.
The audience goes on and swarms about the action that makes it difficult to sometimes. However, to show a clear explanation, but he explores themes of desolation and desolation, there’s a conventional symbolism in the sense left in the extremes. According to half Intensifies madly, as to 1100 lets RIP Guttural roaring and cause bits fall on the ceiling. Then he emerges on the shipping container, even screaming, as a bright white structure pulse with disorienting effects.
Dancers and disappearing in the area, before two to the left standing in-arm-in-arm – finding comfort and connection between despair – and all pitch. It takes a minute to be back about a mersimi in this “whether the world” but heyes are not just the deal in anesthesia – and it’s also created some binding, piercing and psychedelically discombobulating.