Come Fall in Love: The DDLJ Musical review – loud, kitsch and joyous | Theatre


On their release in 1995 Other Blockbuster dilwale Dulhania le jayenge (DDLJ to his fans) spawned a genre of Hindi film. A star-crossed the Romans of London-dwelling young adults Raj and SIMRAN, three hour epic examine the new generation of the scattered abroad in the outside and sailing their family values.

Thirty years in the DDLJ made one of the top grossing Bollywood movies all the time, up to screening to Maratha Mandir cinema in Mumbai. For many fans to singing through his songs in a wedding dancefloors, director Aditya Chopra’s stage of accommodation will come to surprise.

With new music from other Viscal-Shekhar and the updated story with Mean Girls Co-Written Nell Benjamin, I came to love to stand in love with the boy Rajabi with all-english “Rog” Rager) to produce multiracio to produce a daspora play.

Star, crossed the Romans … Rog (Ashley Day) and SIMRAN (Jen Pandya) in the coming love. Photograph: Persson

The nation dynamics and narrative beats are broad-brushstroke. Billionaire Roger (Ashley Day) is divorced and do not believe in perpetual love, with a straight-a student, SIMRAN (Jena Pandya, when promised in the family in the punjab. Match you unlikely couple, until they find themselves interrailing about Europe and sparks fly.

As much as it is predicted. However, the day and Pandya have undeniable chemistry, flitting around changes, when the change is compassion and stolen passion, leaving the audience rooting for the need of love. Victoria Ashford and Shruti Merchant’s Choreography is equally engrossing, making full use of the Ancient Castle and the leap of the Kinhuk and Kara lane to Rog Solo Fiance Kuljit and Kinhuk Lane to Rog’s Mother, Minky and in Raucus Number hot and independent and warm.

Vishal-shekhar’s Bhangra, reggae and a disk music that you do not reach the melodramatic melodi but closing the number of Hai is to infect, leaving the number of hai to infect, leaving the number of hai to infect, leaving the number of hai to infect. It will be the will of the love is not the most nuanced or complex searching for the identity that is joyful and Kitsch, very well engotlying in Tenets of Othowood Art form.



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