Thunderbolts review: The best Marvel movie in years – for one simple reason


It’s hard not to be cynical about Marvel Thunderbolts *. Franchise, having muscular independent independent movies from the movies to make more space for his behemotines, now has the sales warn of the trailer to be committed on how much his honor and crew works on projects that have published Average favorite manufacturing company CinephileA24. Even her official synopsis declares, with witted and crowd, that in the kindness of the “Indie Veteran crew sold”.

Then again, if you employ a team behind Netflix Britva-sharp comedy series Beef (Director of Jake Schreier, his Creator Lee Sung Jin and one of his writers, Bear“Shourrunner Joanna Calo), and I actually allow them to work and tools for work – good, logical, you should end up with something quite decent.

And, well, Thunderbolts * is good. No “Simply preserve Marvel cinematographic universe“Good, but enough to re-examine those self-proclaimed victims that may not be genre, but only the focus on telling the marketing stories of future extensions and ill glittering nostalgia.

For those unwanted with comics, Thunderbolts *Initially, he has a characteristic infurter of James Gunn, who closed his guards of Galaxy Trilogy two years ago, then transferred the rival head teams. Compiles a bad responding anti-antiher detachment, here is all selected from previous Marvela movies: Black widow‘s Yelena Belova (Florence Pugh), Radir Manager (Olga Kurilenko) and Red Career (David Harbor); Franchise Mainstay Bucky Barnes (Sebastian Stan); Sokol and Winter SoldierJohn Walker (Wyatt Russell); and Ant-Man and WaspGhost (Hannah John-Stone).

They Čuču, experience several narrative shocks (more efficient if they are not already telegraph promotional materials), and in the end they are undertaken to the fact that each violation of the interest in the world records for accumulated PTSD. It can basically be Gunn’s formula, but he was successful with that, because, basically, he works. Take the crew of emotionally suppressed characters and gradually open them and gently open and find a shortcut to retract and disarm your audience.

Schreier and his team here, crucial, added two new ingredients in the mix. One Julia Louis-Dreyfus Valentina Allegra de Fontaine, the CIA Director, which finally cashes in a series of meaningless whom for reincarnate VeepHe was a delicious nasty politician Selina Meyer, and in that, working, earn an online name “mother”. This time there are cold white stripes in the hair and repeatedly called the subordinate (Geraldine Viswanathan’s Mel) “Good Girl”.

The second is Bob (Lewis Pullman), a guy in hospital scrubs Threunderbolts continues in the underground object sent to you by Valentine to explore. It inevitably has last motives. Not who seems to be. Bob is the best and most importantly described as a metaphor for walking for bipolar disorder. Both are well written and sensitively performed.

Although it is certainly refreshing to see the Marvelian film with a lot focusing on practical cascading work (a flat order, a fun, a cocktail flying Molotov (Cocktail Flying Molotov), Thunderbolts * primarily carries the chest forces of the Pugh’s trademark.

Trademark: Florence Pugh in 'Thunderbolts *'
Trademark: Florence Pugh in ‘Thunderbolts *’ (Marvel)

Summary, Yelena found that her family was just an invention for covering her specialized training as an assassin, who was forced at one point to be made under the head of the mind; Then she lost a pseudo-sister (Scarlett Johansson’s Black Widow), after she punished his lithium to save the universe, then lost five years of his life, after became one of the victims of the population. She is understandably, very depressed. But Pugh cuts through the bulls *** and brings that pain open and honestly, and all of us offer the first Marvelian character to admit not to distribute endless moving on their phone.

Thunderbolts * It feels differently than what came before, not because of these Indie credentials, but because it is the first kind of kind to make it true self-conscious. We are told repeatedly that, now they leave no avengers, the world lacks heroes and becomes all the poorer old systems no longer working. These are statements that are equally inflicted in Marvel’s frustrated inability to build a new post-EndgameBecause they refuse to hold anything that is not a box for the office of breaking (it is racing eternal) and in general, the hopeless state of our world. Thunderbolts *In this strange way, it would actually be the ultimate Marvi movie for now.

Dir: Jake Schreier. Association: Florence Pugh, Sebastian apartment, Harbor David, Wyatt Russell, Hannah John-stone, Olga Kurilenko, Lewis Pullman, Geraldine Wisanathan, Julia Louis-Dreyfus. Cert 12a, 128 minutes.

‘Thunderbolts *’ is in China from 1. May



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